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I understanding the recent “Poltergeist” an astounding film tubby of stout atmosphere, likeable characters, and nicely done frights. Remember the paranormal researcher pulling his face apart in the mirror? The crawling slab of steak loaded with maggots? The corpse filled pit in the backyard? The young son counting the seconds between booms of disclose and flashes of lightening? The recent “Poltergeist” had thrills aplenty. And then it all fell apart. Hollywood, in its inimitably greedy style, promptly laid the groundwork for a sequel. Why not? The suits knew the dupes would line up at the box office like favorable limited sheep, willing to shell out millions of dollars for what is essentially a rehash of the recent distress. Well, “Poltergeist II” is better than your average sequel to a atomize hit, but impartial barely. What will really feel like a stone in your shoe is the sequel to the sequel, the heap o’ screeching metal and flaming wreckage that is “Poltergeist III.” The final entry in the series is so unpleasant, so utterly devoid of any of the elements that fueled the success of the unique, that my DVD player loudly protested–with sounds I will not recreate here–my efforts to see it.

“Poltergeist II” reacquaints us with the hapless Freeling family several months after the nightmare depicted in the first film. Peaceful homeless after watching their tall, recent abode implode into thin air, Steve and Diane Freeling (Craig T. Nelson and JoBeth Williams) along with their children Robby and Carol Anne (Oliver Robins and Heather O’Rourke), now live with Diane’s mother Jess far from the defective ghost and corpse filled suburbs. Steve now sells vacuum cleaners for a living instead of valid estate, and the couple spends most of their time fighting with the insurance company over compensation for the disappearing house. Grandma Jess likes the notion of the family staying with her even as she notices Carol Anne’s fantastic clairvoyant powers. When Grams dies in her sleep, the nightmare begins anew as the poltergeists from the first movie track down Carol Anne. The spirits gape to pick up a map to the “light” (don’t we all? ), and won’t rest until they acquire their design. Meanwhile, psychic investigator Tangina (Zelda Rubinstein) and an Indian shaman named Taylor (Will Sampson) investigate the space of the Freeling’s destroyed home. It turns out that a religious zealot named Kane brought a bunch of followers out to California in the 19th century and promptly killed them in the name of utopian glory. It is the ghosts of Kane and his followers who stare the attentions of Carol Anne, with Kane himself turning up in the flesh to torment the Freelings.

We should rightly classify “Poltergeist III” not as a fright film but as a difficulty story. On this outing, Carol Anne (once again played by the indomitable Heather O’Rourke) turns up in a Chicago high rise where she lives with her Uncle Bruce (Tom Skerritt), her Aunt Pat (Nancy Allen), and her unfriendly cousin Donna (Lara Flynn Boyle doing her best to gawk like Winona Ryder) . Zelda Rubinstein reprises her role as the psychic Tangina for a third time. Positive enough, unusual things commence happening when a nerdy school counselor hypnotizes Carol Anne and opens a doorway through which the brave Kane returns. That’s about all that happens in this schlockfest, although director Gary Sherman tricks up this installment with lots of dry ice and mirrors that provide diminutive in the method of chills or thrills. “Poltergeist III” is a cheap, cheesy movie that deserves the obscurity in which it currently resides.

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Fans of the modern movie will luxuriate in the reappearance of Craig Nelson, JoBeth Williams, Oliver Robins, and Heather O’Rourke in the second entry. I always conception some of the charm of the novel came from the slightly bawdy antics and grand chemistry of this cast. Nelson and Williams in particular have tall presence onscreen, and truly do advance off as a married couple objective trying to raise their family in peace. Will Sampson’s often funny Taylor character is greatly appreciated, as is the downright putrid Julian Beck as the immoral Reverend Kane. Beck’s emaciated appearance and creepy accent do mighty to elevate this sequel from the realm of mediocrity. As for the spooky paranormal encounters, Nelson coughs up a mutated tequila worm, Robins battles his braces in the bathroom, and Williams shrieks her device through a couple more corpse scenes. Overall, “Poltergeist II” is well-behaved. Unfortunately, I cannot say the same about “Poltergeist III.” Nancy Allen and Tom Skerritt have the all the allure of race bumps, Boyle grates as a giggling teenybopper airhead, O’Rourke is wooden as Carol Anne, and Rubinstein’s hammy performance attains myth proportions. The effects are acceptable, but the dialogue is clumsy and the pacing dull. What really killed the movie for me were the slack 1980’s fashion styles seen throughout the film.

Thanks (I assume) to MGM for releasing these films in their praiseworthy double feature collection. As usual, the only extras for both films are a trailer and scene selection menu. The disc presents both films in widescreen formats with friendly report transfers. I reflect it would have been nice to have a commentary track with the actors for the second film; I would have liked to hear Nelson and Williams talk about their roles. Two actresses associated with the “Poltergeist” franchise, Dominique Dunne and Heather O’Rourke, have since died. Dunne’s boyfriend murdered her after the first film and O’Rourke died during surgery. If you have seen the first film, you will probably want to perceive these two as well. Objective utilize low caution with “Poltergeist III,” a movie so abominable it has caused vulgar cranial trauma to those terrible souls who search for it.

I’ve been really disappointed at the plot MGM has treated the POLTERGEIST trilogy on DVD. First things first, the novel POLTERGEIST was a MEGA-hit grossing over 70 million in the US alone and eventually grossing over 150 million in the international BOX OFFICE. So it’s handsome to say that MGM made ALOT of money on that particular film, so why is it that it was given shoddy treatment when released on DVD? It was released only with a theatrical trailer as an EXTRA. The first sequel, POLTERGEIST 2 was a decent-sized hit in 1986 grossing over 40 million in the US alone and let’s not forget that the Special Effects were nominated for an OSCAR. Again, this film was released only with a theatrical trailer as an EXTRA. The least succesful film of the series was POLTERGEIST 3 which opened in the top 5 the first week but went downhill after that. However the film does have a CULT and fanatical following - many (dare I say it) have liked it even more than the unique to the awe of “unusual” POLTERGEIST loyalist. Again, it is presented along with P2 with only a theatrical trailer as a bonus. Why is MGM being so stingy? ? Especially when other dread movies that weren’t as well-liked are being released in awesome DVD packaging and loaded with extras.

That said, I must say that I’m satisfied to sight both of these movies FINALLY released on DVD. Despite the LACK OF EXTRAS they are both presented in WIDESCREEN format and the report quality on both films is Proper. Movies that are heavy in special effects need to be seen WIDESCREEN because you realize how considerable you DON’T glimpse when it’s formatted to fit your T.V veil. This is specially evident in P2. Let’s honest hope that MGM decides to re-release these films in a more deserving DVD package.

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POLTERGEIST 2 was originally released in 1986 and did glowing great business at the BOX OFFICE. Although many dismissed it as unbiased another “pointless” sequel, it has stood the test of time due to it’s interpret (and spectacular) special effects and the performance of a very talented actor named Julian Beck who gives one of the creepiest performances EVER in a terror movie. Although he does not derive remarkable cloak time, the character of REVEREND KANE will send chills up your spine especially during the scene in which Craig T Nelson and the evil Minister have a few words on the patio of the family’s Arizona home. Kane’s demeaner changes from well-behaved to absolutely menacing. Deplorable emanates from his contemplate and if you awe easily, he will burn a permanent image of grotesqueness and alarm in your sub conscious. Truly eerie. Other highlights include the now horrible VOMIT CREATURE scene and the hilarious (but stunning) BRACES scene.

POLTERGEIST 2:The Other Side is a spectacular and creepy excursion into the supernatural. It may not be as salubrious as the fresh but it does have a darker, more menacing atmosphere than it’s predessesor and it moves at a faster budge.

POLTERGEIST 3, as previously mentioned was the only film in the franchise that did not RAKE in the Great BUCKS but has since it’s release in 1988, obtained a staunch following. P3 is a Savor IT or Disfavor IT type of experience. Those who disapprove it concept it as an INSULT to the novel and curse the film for existing (I always laugh at the plot it’s so unfairly crucified by lover’s of the novel. Was the new POLTERGEIST THAT Edifying that any movie that pretends to equal it IS STONED TO DEATH?? Whatever!) Others however, relish it for what it is- an imaginative ghost yarn region in an unconventional setting and with some very creepy and inventive mirror effects. I give P3 alot of credit for trying something novel and steering the series in a unusual direction. The Special effects are quite valid. They were filmed live mechanically and it does give the film a rather GHOSTLY and MYSTERIOUS atmosphere. Anyone who states today’s CGI effects eye better are sadly inaccurate. Computer Generated Special Effects gape suitable in a fantasy element such as The Lord of the Rings, Star Wars, Harry Potter etc, but it has no state in a fright movie. I have said this before and I’ll say it again, CGI effects makes today’s apprehension movies gaze like video games and cartoons. They’re objective not scary and I know many dismay movie buffs will agree. I’m starting to loose hope with today’s alarm films. I have yet to eye a Expedient, SCARY movie ( I consider THE RING was the last scary movie that I actually liked) . Getting help to P3, the mechanical effects are creative, imaginative, ingenious and quite fun. There are no floating phantasms or monsters like the earlier films but you do collect fingers poking out of mirrors, a frozen swimming pool, a breathing door, a ghostly mist freezing everything in it’s path and a improbable and slimy BIRTH scene. POLTERGEIST 3’s main flaw however is in it’s old and unsatisfying climax. Especially when compared to the original’s nail-biting and gorgeous climax and even POLTERGEIST 2’s surreal, fantasy inspired ending. However, we now know that this was due to Heather O Rourke’s untimely passing before the film wrapped. Gary Sherman who didn’t want to continue filming without Heather, had to re-write the ending and a body double (or “dummy”- I can’t remember which one) was traditional in Heather’s region. So if the ending feels rushed and uninspired- it was but P3 does disappear along at a astronomical sprint up until that final frame. And one final trace to P3 haters- give the film a demolish. Many will agree that P3 doesn’t even reach cessation to the novel but not many alarm movies do- Let’s not forget that the Scare GENRE only has a few movies that are considered Proper CLASSICS. And POLTERGEIST 3 looks quite marvelous especially when compared to the other GA-ZILLION dismay movies released throughout the 70’s, 80’s and even 90’s- most of which were brainless slasher fares that had nothing more than excess violence and nudity on demonstrate. The POLTERGEIST films never stooped down to that level. And I have shown P3 to several of my friends and family members and many of them have enojoyed it and YES recent POLTERGEIST fans, I know this may sound hard to contain but many of them have liked it EVEN MORE than the Speilberg/Hooper classic. Even my picky 15 year aged niece states it’s the “BEST IN THE SERIES” and has watched it at least 10 times.

Anyone wanting to add 2 enjoying and quite horrible films to their DVD collection should fetch this MGM double feature. Although lacking in EXTRAS, the films peruse and sound Mountainous and you can’t beat the ticket. Let’s honest hope MGM releases these films in a more splendid and satisfying DVD. They’re haunting additons to a CLASSIC CHILLER.